Inside Colour Queen Katie Kortman’s Technicolour World of Wearable Art

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Drawing on her background in fine art and painting, colour queen, textile and (now) fashion designer Katie Kortman uses bold brushstrokes and joyous, chaotic hues to bring wearable art into daily life.

photos KATHRYN BAGLEY

Tell us a bit about you, your inspirations and your creative design process…

I’m a freelance textile designer as well as a fashion designer with my own clothing line. I used all my prints in this line to create fun clothing with lots of punch and whimsy. When it comes to fashion, I design with myself in mind. I want to look like a walking piece of art yet be comfy enough to live my everyday life in them. My prints are an extension of my fine art background. I studied painting in college and my work is very colourful and abstract. I’m inspired by colour, texture and shape: all the elements of art! I usually just start painting and each brushstroke informs the next. It’s very organic and rarely thought out beforehand.

Why is colour so important to you?

Colour brings me joy and I want to bring that to others. I spent years having to search high and low for clothing that felt joyous and colourful enough for me. In the end, I had to learn how to make my own instead!

Colour brings me joy and I want to bring that to others.

Why do you think your Insta movement encouraging people to wear more colour resonated so much?

Adults have largely become scared of colour and how to use it. #WearHappyColour gives them tools and info that helps, but also permission to try out wearing colours again and in new ways. Every year I get myriad messages from people telling me how it made them feel joyous and how others noticed and gave them so many compliments. It’s really exciting to see how wearing colour positively affects people.

Maker or fashion designer – what came first?

Maker for sure. I was an artist who wanted to wear art and who loved working with her hands – I hate it if I don’t have a project to work on! After sewing for myself for a few years, I got to go on Project Runway, which led to me becoming an actual fashion designer. It was a dream I’d had since my undergrad and I never thought it would be possible given that I didn’t go to fashion school.

What inspired Katie Kortman Clothing?

After going on Project Runway I realised that even if I didn’t win, I loved doing it so much. Before that show, I didn’t know how to design clothing, only how to sew with patterns. It was the impetus for me to learn that skill – I had to get textbooks! And then it lit a fire under my bum to actually do something with it. It was definitely the natural next step… I had been sewing clothes for myself for so long, but my closet is really full! It was better for me to start sewing for others. Plus, people had been begging for this for years!

I design with myself in mind. I want to look like a walking piece of art yet be comfy enough to live my everyday life in them.

Tell us a bit about the fabrics in the range…

I love using Spoonflower’s sport Lycra for my headbands and the organic cotton sateen for custom dresses, shirts and in linings and ruffles on different pieces I create. I plan to make some custom quilted jackets and will be using the linen cotton canvas for that. Another of my favourite substrates is their Dogwood Denim. I haven’t produced pants yet, but when I do I want their denim! It’s the best!

Why is print-on-demand fabric so popular?

Because it’s accessible. Before places like Spoonflower existed, you would’ve had to buy hundreds of yards from a fabric manufacturer to have your own fabric printed. And how would you even go about finding those places anyway? This is an easy way to make something custom. I know people who’ve made prints of old photos or family heirlooms. And then if you’re underwhelmed by the fabric options in the stores, you can search and find a print just like what you’re looking for – and even pick the substrate you want. Get it in swimsuit fabric and denim! I’ve done that!

What’s your favourite part about working with Spoonflower?

I love the quality of the fabrics but also the people who work there – they’re wonderful. I’ve toured the facilities and taught a class back when I was their first brand ambassador. I was incredibly impressed with their ethical practices but also the fun-loving work environment. It’s evident in everything they do.

Where to next?

I hope to have my own runway show in the future and to expand my brand in all sorts of ways! The sky’s the limit – but it will take a little time, as I do have four kids and I don’t want to miss their childhoods!


Read more – Clever Cookie: Want to Get the Alice Nightingale Look?


THIS SERIES WAS CREATED IN COLLABORATION WITH OUR FRIENDS AT SPOONFLOWER. POP OVER TO SPOONFLOWER.COM FOR MORE FABRIC FUN. 

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As the world careens towards AI seeping into our feeds, finds and even friend-zones, it's becoming increasingly hard to ignore.⁠
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We just wanted to say that here at Peppermint, we are choosing to not print or publish AI-generated art, photos, words, videos or content.⁠
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Merriam-Webster’s human editors chose 'slop' as the 2025 Word of the Year – they define it as “digital content of low quality that is produced usually in quantity by means of artificial intelligence.” The problem is, as AI increases in quality, it's becoming more and more difficult to ascertain what's real and what's not.⁠
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Let's be clear here, AI absolutely has its place in science, in climate modelling, in medical breakthroughs, in many places... but not in replacing the work of artists, writers and creatives.⁠
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Can we guarantee that everything we publish is AI-free? Honestly, not really. We know we are not using it to create content, but we are also relying on the artists, makers and contributors we work with, as well as our advertisers, to supply imagery, artwork or words created by humans. AI features are also creeping into programs and apps too, making it difficult to navigate. But we will do our best to avoid it and make a stand for the artists and creatives who have had their work stolen and used to train AI machines, and those who are now losing work as they are replaced by this energy-sapping, environment-destroying magic wand. ⁠
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Could using it help our productivity and bottom line? Sure. And as a small business in a difficult landscape, that's a hard one to turn down. We know other publishers who use AI to write stories, create recipes, produce photo shoots... but this one is important to us. ⁠
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'Touch grass' was also a Merriam-Webster Word of the Year. We'll happily stick with that as a theme, thanks very much. 🌿