On the Road for Asylum

In September, the nation will decide who they want to lead the country, based on various issues including one of the most controversial of our times – the rights of asylum seekers. With this in mind, barrister and refugee advocate Jessie Taylor is taking her documentary Between the Devil and the Deep Blue Sea on a road trip around the country, screening it in 30 major cities to give everyday Australians insights into the lives of asylum seekers. Jessie and Ali Reza Sadiqi travelled through Indonesia and met with 250 asylum seekers in jails, detention centres and hostels to make the 52-minute documentary, which shows the human faces behind the much-debated issue. Buoyed by viewers’ responses in both major cities and regional centres, Jessie (who is foster mum to a teenage Afghani asylum seeker) and her team are encouraging attendees of film screenings to push their local member of parliament to attend the final screening of the trip, at Parliament House on March 18. There’s still time to catch the film as it makes its way around the country (check here for details), otherwise you can buy or stream it from the film’s website.

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As the world careens towards AI seeping into our feeds, finds and even friend-zones, it's becoming increasingly hard to ignore.⁠
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We just wanted to say that here at Peppermint, we are choosing to not print or publish AI-generated art, photos, words, videos or content.⁠
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Merriam-Webster’s human editors chose 'slop' as the 2025 Word of the Year – they define it as “digital content of low quality that is produced usually in quantity by means of artificial intelligence.” The problem is, as AI increases in quality, it's becoming more and more difficult to ascertain what's real and what's not.⁠
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Let's be clear here, AI absolutely has its place in science, in climate modelling, in medical breakthroughs, in many places... but not in replacing the work of artists, writers and creatives.⁠
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Can we guarantee that everything we publish is AI-free? Honestly, not really. We know we are not using it to create content, but we are also relying on the artists, makers and contributors we work with, as well as our advertisers, to supply imagery, artwork or words created by humans. AI features are also creeping into programs and apps too, making it difficult to navigate. But we will do our best to avoid it and make a stand for the artists and creatives who have had their work stolen and used to train AI machines, and those who are now losing work as they are replaced by this energy-sapping, environment-destroying magic wand. ⁠
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Could using it help our productivity and bottom line? Sure. And as a small business in a difficult landscape, that's a hard one to turn down. We know other publishers who use AI to write stories, create recipes, produce photo shoots... but this one is important to us. ⁠
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'Touch grass' was also a Merriam-Webster Word of the Year. We'll happily stick with that as a theme, thanks very much. 🌿